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By RiffedGuitars

Obsidian Cathedral Lead

A singing lead voice with parallel amp color, a softened cabinet rear bloom and wide ambience that leaves the direct note intelligible.

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Inspect settings · Wraith Guitar · v2.4.10

A singing lead voice with parallel amp color, a softened cabinet rear bloom and wide ambience that leaves the direct note intelligible.

Instrument

Instrument Strings
6 strings
Instrument Tuning
D Standard
Scale Length
25.5 in
Pickup Voice
Hot Passive
Instrument Tuning Catalog
0

Input & noise control

Input
-0.8 dB
Threshold
-80 dB
NoiseGateActive
On

Amp head

Bass
5
Middle
5
Treble
5
ToneStack
On
Wraith Input Trim
58%
Wraith Tight
48%
Wraith Saturation
64%
Wraith Resonance
52%
Wraith Bias
50%
Wraith Sag
26%
Wraith Response
68%
Wraith Amp Volume
54%
Wraith Presence
62%
Wraith Depth
38%
Grimoire Amp
Crown
Ritual Vault
1

Dual amp

Active
Second Amp Character
Forest
Dual Amp Blend
34%
Dual Amp Spread
42%
Dual Amp Link
On

Ritual Chain routing

Effect Chain Slot 2
Compressor
Effect Chain Slot 6
Precision EQ
Effect Chain Slot 7
Crucible
Effect Chain Slot 8
Cabinet & microphones
Effect Chain Slot 9
Virtual Surround
Effect Chain Slot 12
Delay
Effect Chain Slot 13
Reverb
External Effect 1 Enabled
On
External Effect 2 Enabled
On
External Effect 3 Enabled
On
External Effect 4 Enabled
On
External Effect 5 Enabled
On
External Effect 6 Enabled
On
External Effect 7 Enabled
On
External Effect 8 Enabled
On
Instance Chain Routing
Legacy

Cabinet & microphones

Active
Cabinet Voice
Crypt
Speaker Model
Void Crown 12
Cabinet Mic Position
42%
Cabinet Room
32%
Microphone Model
Specter C1
Mic Distance
8 cm
Mic Angle
15 deg
Room Treatment
Absorbed Chamber
Room Damping
58%
Cabinet Wiring
Stereo
Microphone Target
Cone
Cone Microphone
On
Rear Microphone
On
Rear Microphone Model
Cryo Veil R3
Rear Mic Position
50%
Rear Mic Distance
18 cm
Rear Mic Angle
20 deg
Octet 8x8 Cabinet
Legacy Cabinet

Compressor

Active
Comp Threshold
56%
Comp Ratio
24%
Comp Attack
35%
Comp Release
28%
Comp Level
58%
Compressor Type
Moonlit Optic

Precision EQ

Active
EQ 31
50%
EQ 62
50%
EQ 125
50%
EQ 250
50%
EQ 500
50%
EQ 1K
50%
EQ 2K
50%
EQ 4K
50%
EQ 8K
50%
EQ 16K
50%
EQ Recipe
Lead
EQ Volume
50%
Precision EQ Main Bank
On
Precision EQ 1 Frequency
31.25 Hz
Precision EQ 1 Gain
0 dB
Precision EQ 1 Q
1.18
Precision EQ 1 Band
On
Precision EQ 1 Shape
Bell
Precision EQ 1 Dynamic
Static
Precision EQ 2 Frequency
62.50 Hz
Precision EQ 2 Gain
0 dB
Precision EQ 2 Q
1.18
Precision EQ 2 Band
On
Precision EQ 2 Shape
Bell
Precision EQ 2 Dynamic
Static
Precision EQ 3 Frequency
125 Hz
Precision EQ 3 Gain
0 dB
Precision EQ 3 Q
1.18
Precision EQ 3 Band
On
Precision EQ 3 Shape
Bell
Precision EQ 3 Dynamic
Static
Precision EQ 4 Frequency
250 Hz
Precision EQ 4 Gain
0 dB
Precision EQ 4 Q
1.18
Precision EQ 4 Band
On
Precision EQ 4 Shape
Bell
Precision EQ 4 Dynamic
Static
Precision EQ 5 Frequency
500 Hz
Precision EQ 5 Gain
0 dB
Precision EQ 5 Q
1.18
Precision EQ 5 Band
On
Precision EQ 5 Shape
Bell
Precision EQ 5 Dynamic
Static
Precision EQ 6 Frequency
1000 Hz
Precision EQ 6 Gain
0 dB
Precision EQ 6 Q
1.18
Precision EQ 6 Band
On
Precision EQ 6 Shape
Bell
Precision EQ 6 Dynamic
Static
Precision EQ 7 Frequency
2000 Hz
Precision EQ 7 Gain
0 dB
Precision EQ 7 Q
1.18
Precision EQ 7 Band
On
Precision EQ 7 Shape
Bell
Precision EQ 7 Dynamic
Static
Precision EQ 8 Frequency
4000 Hz
Precision EQ 8 Gain
0 dB
Precision EQ 8 Q
1.18
Precision EQ 8 Band
On
Precision EQ 8 Shape
Bell
Precision EQ 8 Dynamic
Static
Precision EQ 9 Frequency
8000 Hz
Precision EQ 9 Gain
0 dB
Precision EQ 9 Q
1.18
Precision EQ 9 Band
On
Precision EQ 9 Shape
Bell
Precision EQ 9 Dynamic
Static
Precision EQ 10 Frequency
16000 Hz
Precision EQ 10 Gain
0 dB
Precision EQ 10 Q
1.18
Precision EQ 10 Band
On
Precision EQ 10 Shape
Bell
Precision EQ 10 Dynamic
Static

Crucible

Active
Low Exciter
0%
High Exciter
18%
Low Cut
78 Hz
High Cut
13200 Hz
Crucible Fine
56%
Adaptive Punch
42%

Virtual Surround

Active
Surround Left Right
50%
Surround Depth
50%
Surround Spatial Mix
35%

Delay

Active
Delay Time
46%
Delay Feedback
32%
Delay Tone
62%
Delay Mix
24%
Delay Type
Liminal Repeat

Reverb

Active
Reverb Decay
54%
Reverb Damping
58%
Reverb PreDelay
28%
Reverb Mix
25%
Reverb Type
Ashen Cathedral

Output

Active
Output
0 dB
Ritual Output Mix
31%
  • Ritual gate · Inactive
  • Overdrive · Inactive
  • Distortion · Inactive
  • Chorus · Inactive
  • Flanger · Inactive
  • Envelope · Inactive